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	<title>dougv.com « Doug Vanderweide &#187; copyright</title>
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		<title>I&#8217;m Sticking With GoDaddy For The Right Reasons, Even If They&#8217;ve Done Wrong</title>
		<link>https://www.dougv.com/2011/12/24/im-sticking-with-godaddy-for-the-right-reasons-even-if-theyve-done-wrong/</link>
		<comments>https://www.dougv.com/2011/12/24/im-sticking-with-godaddy-for-the-right-reasons-even-if-theyve-done-wrong/#comments</comments>
		<pubDate>Sat, 24 Dec 2011 16:20:51 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[Best Practices]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Customer Relations]]></category>
		<category><![CDATA[Self Employment]]></category>
		<category><![CDATA[CNET]]></category>
		<category><![CDATA[copyright]]></category>
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		<category><![CDATA[GoDaddy]]></category>
		<category><![CDATA[leadership]]></category>
		<category><![CDATA[marketing]]></category>

		<guid isPermaLink="false">http://www.dougv.com/?p=3994</guid>
		<description><![CDATA[GoDaddy's former support of SOPA / PIPA was offensive and wrong-headed, but it's not enough to get me to change registrars.<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2008/11/12/the-wrong-way-of-looking-at-client-relationships-an-example-examined-and-discussed/" rel="bookmark">The Wrong Way Of Looking At Client Relationships: An Example Examined And Discussed</a> (13.4)</li>
			</ol>
	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.
	</div>
]]></description>
			<content:encoded><![CDATA[<p>Call the headline to this article overwrought, if you like, and you&#8217;ll be correct. But the way I view business is, you have partners, and the relationships you have with those partners are a balance.</p>
<p>If you&#8217;re a freelance coder and you&#8217;re not putting the same kind of thought and consideration you use in personal relationships into your business partners, you&#8217;re going to get burned. Because as it is with friends and lovers, you get out of customers and vendors alike exactly what you give.</p>
<p>I&#8217;ve put a lot into <a href="http://www.godaddy.com" target="_blank">GoDaddy</a>, and they&#8217;ve given me a lot back. That&#8217;s why, even though GoDaddy initially supported the <a href="http://en.wikipedia.org/wiki/Stop_Online_Piracy_Act" target="_blank">Stop Online Piracy Act</a> and only <a href="http://news.cnet.com/8301-13578_3-57347915-38/go-daddy-spanks-sopa-yanks-support/" target="_blank">recanted under threat of boycott</a>, I&#8217;m going to keep doing business with them.</p>
<p>For those in the dark and the benefits of post-event context, SOPA is a bill, <a href="http://thomas.loc.gov/cgi-bin/bdquery/z?d112:h.r.3261:" target="_blank">before Congress at this writing</a>, that would give broad censorship powers to the Department of Justice, ostensibly to block incorrigible copyright violators. It&#8217;s envisioned as a way to get the repeat scofflaws who are largely undeterred by the <a href="http://en.wikipedia.org/wiki/Digital_Millennium_Copyright_Act" target="_blank">Digital Millennium Copyright Act</a> (DMCA), which clearly has been almost completely ineffective at stopping brazen file sharing.</p>
<h3><span id="more-3994"></span>SOPA: An Abomination</h3>
<p>I don&#8217;t care to get into an argument about <a href="https://www.eff.org/issues/intellectual-property" target="_blank">the nature of copyright in the digital age</a>, the <a href="http://www.fsf.org/" target="_blank">open source movement</a>, <a href="http://www.aclu.org/free-speech" target="_blank">free speech</a>, the <a href="http://musicians.about.com/od/otherindustrycareers/ht/makemoneymusic.htm" target="_blank">sharecropping that is the music industry</a>, the complete moral bankruptcy that is mainstream Hollywood, <a href="http://gawker.com/5787676/meet-godaddys-ridiculous-elephant+killing-ceo" target="_blank">Bob Parson&#8217;s personality</a> or anything else along those lines. They&#8217;re ancillary at best and red herrings in practice.</p>
<p>It suffices that the intent and common interpretation of the <a href="http://www.archives.gov/exhibits/charters/bill_of_rights_transcript.html" target="_blank">Fourth and Fifth amendments</a> make ominous the provisions of SOPA that block advertising and payment processors from serving a Web site, the ability of the government to seize domain names without a court order, to assume intent without civil process and impose upon the accused the burdens of proof.</p>
<p>In other words, SOPA is an abomination of this country&#8217;s fundamental governing tenets; how any reasonable person could support it is beyond me.</p>
<p>One of those &#8220;people,&#8221; in the corporate sense, <a href="http://www.thedomains.com/2011/11/15/here-is-godaddys-statement-in-support-of-the-stop-online-privacy-act-house-hearing-tomorrow/" target="_blank">was GoDaddy</a> (at least, up until Friday). In fact, <a href="http://www.godaddy.com/newscenter/release-view.aspx?news_item_id=378" target="_blank">of its own proud admission</a>, GoDaddy had a hand in crafting some parts of the legislation.</p>
<p>Now, I can understand why GoDaddy would support, in a broad sense, an effort to effectively prosecute online piracy. I can see it in a completely altruistic sense: Online piracy is stealing. Stealing is wrong. Thieves should be punished.</p>
<p>But as things stand now, there is no effective deterrent and no real consequences for the middling. (By which I mean, if you&#8217;re a major channel of piracy, you&#8217;ll get sued by Big Media. If you <a title="My Glee-ful Piracy And The New Media Mistakes Of The Old Media" href="http://www.dougv.com/2010/05/26/my-glee-ful-piracy-and-the-new-media-mistakes-of-the-old-media/">once downloaded &#8220;Glee&#8221; via BitTorrent</a>, nobody cares.  But if you&#8217;re ripping porn sites and putting them on file-sharing sites, or are seeding all of Joss Whedon&#8217;s works via The Pirate Bay, or are on some forum sharing Beyonce&#8217;s discography, maybe you have to put up with a few file links getting killed or a notice from your ISP to knock it off, but largely, you can get around the inconveniences posed by DMCA.</p>
<p>You can even <a href="http://www.filefactory.com/make_money/" target="_blank">make a tidy sum of money</a> from the online file hosts. And let&#8217;s not kid each other: File hosts are mostly hosting pirated content, and are making their money on the backs of content producers.</p>
<p>And I can see it in the pragmatic sense. As the law stands now, GoDaddy is effectively the police, left with the responsibility (and most of the risk) associated with enforcing DMCA complaints. It would be better for them to have an omnibus law that says, &#8220;you get this letter, you take the site down, and the courts will settle it later.&#8221;</p>
<h3>Stand For Something, Fall For Anything</h3>
<p>So OK, in the academic sense, I can understand GoDaddy&#8217;s starting position. But SOPA simply will not do, and that it took the threat of an exodus of customers to get them to change their tune &#8212; and <a href="http://gizmodo.com/5870920/brave-godaddy-ceo-says-hes-neither-for-nor-against-sopa" target="_blank">it actually hasn&#8217;t become opposition, so much as it&#8217;s become &#8220;we quit&#8221;</a> &#8212; is quite disheartening.</p>
<p>I&#8217;d prefer a principled response. If GoDaddy believes in SOPA, then it should stand its ground and take whatever beating is coming its way like a man. If GoDaddy has seen the light, then it should repent and join all the other major Internet companies in protest. But it shouldn&#8217;t say, &#8220;Go Daddy will support (SOPA) when and if the Internet community supports it.&#8221; That&#8217;s chickenshit.</p>
<p>In fact, it&#8217;s so flaky it has me contemplating bailing out on them anyway. I don&#8217;t like the idea that I am partners with a company that can be threatened into submission on its core values. But I&#8217;ve decided to stay. Here&#8217;s why:</p>
<ul>
<li><strong>GoDaddy&#8217;s service is reliable.</strong> I seldom face downtime, and what downtime I do face is usually very short-term.</li>
<li><strong>M</strong><strong>y problems are solved quickly and effectively.</strong> I realize that&#8217;s not everyone&#8217;s experience, but it&#8217;s been mine. (Please, don&#8217;t bother posting your GoDaddy support nightmares in the comments. I don&#8217;t care to hear only one side of the story.) My experience is, on the rare occasion I need to contact GoDaddy with a problem, a competent and pleasant person picks up the phone and fixes the issue. As we all know, that rarely happens in the telephone tech support world.</li>
<li><strong>GoDaddy has what I need.</strong> I need domain names. I need sophisticated control over my DNS records. I need shared, low-volume Web hosting. I need an IMAP server with unlimited storage.  GoDaddy sells all these things; I prefer to have a few reliable vendors than dozens of providers whose names I can&#8217;t keep straight.</li>
<li><strong>I have a longstanding relationship with GoDaddy.</strong> We&#8217;ve been doing business together for 12+ years. That counts for something.</li>
<li><strong>It&#8217;s a pain in the ass to pull up stakes.</strong> Yeah, inconvenience is a consideration here. We can stay married, hate each other and live in separate parts of the house. That ain&#8217;t good but it&#8217;s better than shuffling through apartments looking for a new place I like and can afford.</li>
<li><strong>The prices are excellent.</strong> Yeah, for all my talk about money not being the only thing, I don&#8217;t want to pay more than I have to for things. Especially for low-volume Windows Web hosting, GoDaddy&#8217;s price-feature-reliability matrix can&#8217;t be beat.</li>
</ul>
<p>So some love has been lost, but I am staying.</p>
<p>That&#8217;s not to say I&#8217;ll stick around if GoDaddy continues to screw up. Again, I&#8217;m not happy about this, but when I weigh how disappointed I am in GoDaddy&#8217;s actions around SOPA vs. how good things have been and could still be, I&#8217;m inclined to give them a second chance. There will not be a third.</p>
<p>All links in this post on delicious: <a href="http://delicious.com/dougvdotcom/im-sticking-with-godaddy-for-the-right-reasons-even-if-theyve-done-wrong" target="_blank">http://delicious.com/dougvdotcom/im-sticking-with-godaddy-for-the-right-reasons-even-if-theyve-done-wrong</a></p>
<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2008/11/12/the-wrong-way-of-looking-at-client-relationships-an-example-examined-and-discussed/" rel="bookmark">The Wrong Way Of Looking At Client Relationships: An Example Examined And Discussed</a> (13.4)</li>
			</ol>
	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.</p>
	</div>

	Tags: <a href="https://www.dougv.com/tag/cnet/" title="CNET" rel="tag">CNET</a>, <a href="https://www.dougv.com/tag/copyright/" title="copyright" rel="tag">copyright</a>, <a href="https://www.dougv.com/tag/domain-names/" title="domain names" rel="tag">domain names</a>, <a href="https://www.dougv.com/tag/godaddy/" title="GoDaddy" rel="tag">GoDaddy</a>, <a href="https://www.dougv.com/tag/leadership/" title="leadership" rel="tag">leadership</a>, <a href="https://www.dougv.com/tag/marketing/" title="marketing" rel="tag">marketing</a><br />
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Hi Doug, I saw your response to a person on Yahoo answers, It was probably a couple of years ago. I&#8217;m trying toget my hands on a Sap tool to practice on it on my own. You mentioned you were doing the same at that time. Do you still have it? Thanks</title>
		<link>https://www.dougv.com/2011/10/12/hi-doug-i-saw-your-response-to-a-person-on-yahoo-answers-it-was-probably-a-couple-of-years-ago-im-trying-toget-my-hands-on-a-sap-tool-to-practice-on-it-on-my-own-you-mentioned-you-were-doing-the/</link>
		<comments>https://www.dougv.com/2011/10/12/hi-doug-i-saw-your-response-to-a-person-on-yahoo-answers-it-was-probably-a-couple-of-years-ago-im-trying-toget-my-hands-on-a-sap-tool-to-practice-on-it-on-my-own-you-mentioned-you-were-doing-the/#comments</comments>
		<pubDate>Wed, 12 Oct 2011 16:39:48 +0000</pubDate>
		<dc:creator>formspring.me</dc:creator>
				<category><![CDATA[Databases]]></category>
		<category><![CDATA[FormSpring Questions]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[Yahoo! Answers]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[ethics]]></category>

		<guid isPermaLink="false">http://www.dougv.com/2011/10/12/hi-doug-i-saw-your-response-to-a-person-on-yahoo-answers-it-was-probably-a-couple-of-years-ago-im-trying-toget-my-hands-on-a-sap-tool-to-practice-on-it-on-my-own-you-mentioned-you-were-doing-the/</guid>
		<description><![CDATA[Formspring anon asks me for a copy of pirated SAP software. I set the record straight.<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2010/05/13/designers-and-developers-donate-your-time-talent-at-new-england-give-camp-june-11-13-2010/" rel="bookmark">Designers And Developers: Donate Your Time, Talent At New England GiveCamp, June 11-13, 2010</a> (12.9)</li>
				<li><a href="https://www.dougv.com/2009/03/05/msdn-roadshow-in-augusta-march-19-well-worth-the-time/" rel="bookmark">MSDN Roadshow In Augusta, March 19: Well Worth The Time</a> (12.6)</li>
				<li><a href="https://www.dougv.com/2007/03/12/displaying-the-correct-time-for-world-cities-with-ajax-javascript-dom/" rel="bookmark">Displaying The Correct Time For World Cities  With AJAX / JavaScript / DOM</a> (11.7)</li>
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	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.
	</div>
]]></description>
			<content:encoded><![CDATA[<p class="formspringmeAnswer">Sorry, I don&#8217;t recall this. I did have a client a while back who was interested in SAP but I don&#8217;t believe I ever followed through. </p>
<p>If you could provide a link to the question, it might help refresh my memory. </p>
<p>I don&#8217;t believe I&#8217;ve ever said I use pirated software, and I&#8217;d be surprised to see anything in which I offered to share pirated software. It&#8217;s possible I noted that stealing software was an option, but I have to believe that if I said that, I also said that doing so was legally and morally wrong. Again, a link to the question you&#8217;re referencing would clear things up for me.</p>
<p>For the record, I have often said &#8212; and stand by the statement &#8212; that it&#8217;s everyone&#8217;s right to make personal copies of software he has legally purchased, even if a EULA forbids personal copies; but I don&#8217;t believe it&#8217;s OK to distribute copy-restricted software in violation of license terms.</p>
<p class="formspringmeFooter">
    <a href="http://www.formspring.me/dougvdotcom?utm_medium=social&amp;utm_source=wordpress&amp;utm_campaign=shareanswer">Ask me anything</a></p>
<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2010/05/13/designers-and-developers-donate-your-time-talent-at-new-england-give-camp-june-11-13-2010/" rel="bookmark">Designers And Developers: Donate Your Time, Talent At New England GiveCamp, June 11-13, 2010</a> (12.9)</li>
				<li><a href="https://www.dougv.com/2009/03/05/msdn-roadshow-in-augusta-march-19-well-worth-the-time/" rel="bookmark">MSDN Roadshow In Augusta, March 19: Well Worth The Time</a> (12.6)</li>
				<li><a href="https://www.dougv.com/2007/03/12/displaying-the-correct-time-for-world-cities-with-ajax-javascript-dom/" rel="bookmark">Displaying The Correct Time For World Cities  With AJAX / JavaScript / DOM</a> (11.7)</li>
			</ol>
	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.</p>
	</div>

	Tags: <a href="https://www.dougv.com/tag/copyright/" title="copyright" rel="tag">copyright</a>, <a href="https://www.dougv.com/tag/ethics/" title="ethics" rel="tag">ethics</a><br />
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Review: Free: The Future of a Radical Price</title>
		<link>https://www.dougv.com/2011/08/05/review-free-the-future-of-a-radical-price/</link>
		<comments>https://www.dougv.com/2011/08/05/review-free-the-future-of-a-radical-price/#comments</comments>
		<pubDate>Fri, 05 Aug 2011 16:12:09 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[Best Practices]]></category>
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		<category><![CDATA[ethics]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[pricing]]></category>
		<category><![CDATA[privacy]]></category>
		<category><![CDATA[reputation]]></category>

		<guid isPermaLink="false">http://www.dougv.com/?p=3921</guid>
		<description><![CDATA[Chris Anderson provides a good introductory course on the economics of the Information Age, but doesn't tell us what we don't already know.<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2010/04/26/on-facebooks-new-features-privacy-and-the-near-future-of-the-web/" rel="bookmark">On Facebook&#8217;s New Features, Privacy And The Near Future Of The Web</a> (16.9)</li>
				<li><a href="https://www.dougv.com/2010/02/22/the-future-of-web-programming-from-artisan-to-assembly-line/" rel="bookmark">The Future Of Web Programming: From Artisan To Assembly Line</a> (15.3)</li>
				<li><a href="https://www.dougv.com/2010/03/22/a-beginning-entrepreneurs-guide-to-pricing-part-2-how-price-conveys-value/" rel="bookmark">A Beginning Entrepreneur&#039;s Guide To Pricing, Part 2: How Price Conveys Value</a> (14.8)</li>
			</ol>
	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.
	</div>
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.goodreads.com/book/show/7005066"><img class="alignleft" style="border: 0pt none;" src="http://photo.goodreads.com/books/1275841908m/7005066.jpg" alt="Free: The Future of a Radical Price" width="98" border="0" />Free: The Future of a Radical Price</a> by <a href="http://www.goodreads.com/author/show/1756">Chris Anderson</a></p>
<p>My rating: <a href="http://www.goodreads.com/review/show/102646918">3 of 5 stars</a></p>
<p>Reading Free: The Future of a Radical Price reminded me, in many ways, of  <a href="http://www.dougv.org/2011/07/review-grand-design.html">The Grand Design</a>.</p>
<p>To understand the universe on the quantum level, you have to embrace understandings and facts that seem ludicrous at human scales. That is, that we have free will; that things cannot be in the same place at the same time; that time progresses at one speed and forward only, are all convenient and explicit truths for our day-to-day existence. But at the subatomic level, that&#8217;s not how things work; not at all.</p>
<p>Anderson&#8217;s arguments about Free &#8212; that is, <em>gratis</em> and <em>libre</em> &#8212; are presented in the same sense, if not quite as well or explicitly.</p>
<p>Free does a fine job of explaining the mechanics of how things can be free on the Web: namely, per-unit / per-user costs are so low, they might as well be considered nothing.</p>
<p>He also does a good job of explaining the obvious money-making models applied successfully so far: advertising, freemium (basic service is free; premium service costs money) and non-monetary / indirect recompense, such as an increase in reputation / marketing of ancillary products, such as concerts and merchandise for musicians or speaking engagements and consultations for professionals.</p>
<p><span id="more-3921"></span>Probably the most valuable lesson Anderson&#8217;s book provides is that in the information economy, copies cost nothing.</p>
<p>Certainly, the physical cost of the copy is so close to nothing, it might as well be nothing; but Anderson also suggests that the lost &#8220;opportunity cost&#8221; of not selling that record or book or software is significantly overstated, since there&#8217;s a good chance they wouldn&#8217;t have been purchased in the first place, and that the auxiliary benefits of spreading a product far and wide outweigh the loss from sales.</p>
<p>Speaking as someone who has pirated content he probably would have purchased if he couldn&#8217;t get it for free, I&#8217;d call that argument, on its face, pretty spurious.</p>
<p>But it makes perfect sense in view of the base assertion that digital content is going to be stolen, because it&#8217;s so easy and the costs / consequences are virtually zero. So don&#8217;t put all your effort into preventing theft (but don&#8217;t make it completely easy, either); put most of your effort into monetizing your soon-to-be-widespread content.</p>
<p>The reason I can&#8217;t give Anderson full credit here is because for someone who so consistently and readily acknowledges that there&#8217;s two groups of understanding when it comes to Free &#8212; the over-30 crowd, which can&#8217;t break free of the &#8220;there&#8217;s no such thing as a free lunch&#8221; model; and the under-30 crowd, which can&#8217;t understand copyright or intellectual property to save its life &#8212; he sure does a poor job of satiating each others&#8217; curiosity.</p>
<p>It&#8217;s one thing to relate the obvious, which is about half of Anderson&#8217;s book. It&#8217;s another to provide real-life examples of how Free is being monetized, which Anderson does via several sidebars.</p>
<p>What this book lacks is what it needed most: its own version of M-theory, to explain how and why Free is the only model that makes sense here. That is, he went about presenting the information all wrong.</p>
<p>It should have been less anecdotal and more theoretical proof. Had Free set out with a statement of the &#8220;rules of the digital economy,&#8221; then proceeded to address those rules in order with interlocking and supporting truths, a much more useful book would have been produced.</p>
<p>As it is, Free tells us what we already know, and does little to predict what comes next. It suffices as an introduction to the idea of the economics of the 21st century, but it&#8217;s no road map.</p>
<p><a href="http://www.goodreads.com/review/show/102646918">View all my reviews</a></p>
<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2010/04/26/on-facebooks-new-features-privacy-and-the-near-future-of-the-web/" rel="bookmark">On Facebook&#8217;s New Features, Privacy And The Near Future Of The Web</a> (16.9)</li>
				<li><a href="https://www.dougv.com/2010/02/22/the-future-of-web-programming-from-artisan-to-assembly-line/" rel="bookmark">The Future Of Web Programming: From Artisan To Assembly Line</a> (15.3)</li>
				<li><a href="https://www.dougv.com/2010/03/22/a-beginning-entrepreneurs-guide-to-pricing-part-2-how-price-conveys-value/" rel="bookmark">A Beginning Entrepreneur&#039;s Guide To Pricing, Part 2: How Price Conveys Value</a> (14.8)</li>
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	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.</p>
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	Tags: <a href="https://www.dougv.com/tag/book-reviews/" title="book reviews" rel="tag">book reviews</a>, <a href="https://www.dougv.com/tag/brand-identity/" title="brands / identity" rel="tag">brands / identity</a>, <a href="https://www.dougv.com/tag/copyright/" title="copyright" rel="tag">copyright</a>, <a href="https://www.dougv.com/tag/crowdsourcing/" title="crowdsourcing" rel="tag">crowdsourcing</a>, <a href="https://www.dougv.com/tag/ecommerce/" title="ecommerce" rel="tag">ecommerce</a>, <a href="https://www.dougv.com/tag/ethics/" title="ethics" rel="tag">ethics</a>, <a href="https://www.dougv.com/tag/marketing/" title="marketing" rel="tag">marketing</a>, <a href="https://www.dougv.com/tag/pricing/" title="pricing" rel="tag">pricing</a>, <a href="https://www.dougv.com/tag/privacy/" title="privacy" rel="tag">privacy</a>, <a href="https://www.dougv.com/tag/reputation/" title="reputation" rel="tag">reputation</a><br />
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		<title>Good Contracts Make Good Business. Or, &#8216;F*ck You, Pay Me&#8217;</title>
		<link>https://www.dougv.com/2011/04/16/good-contracts-make-good-business-or-fck-you-pay-me/</link>
		<comments>https://www.dougv.com/2011/04/16/good-contracts-make-good-business-or-fck-you-pay-me/#comments</comments>
		<pubDate>Sat, 16 Apr 2011 16:15:49 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[Best Practices]]></category>
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		<guid isPermaLink="false">http://www.dougv.com/?p=3824</guid>
		<description><![CDATA[A contract protects both the freelancer and his client, and you should insist upon having one with every client.<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2010/03/30/three-web-sites-that-make-my-online-life-a-lot-easier/" rel="bookmark">Three Web Sites That Make My Online Life A Lot Easier</a> (12.8)</li>
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	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.
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			<content:encoded><![CDATA[<p>When I talk to new free-lance programmers about running a business, there are two core pieces of advice I offer. The first is that it<a title="A Beginning Entrepreneur's Guide To Pricing Professional Services" href="http://www.dougv.com/2009/05/03/a-beginning-entrepreneurs-guide-to-pricing-professional-services/" target="_blank">&#8216;s almost always better to have a little high-paying work than a lot of low-paying jobs</a>. The other is <a title="More Bad Business: Dealing With Contractors And Copyright" href="http://www.dougv.com/2008/11/24/more-bad-business-dealing-with-contractors-and-copyright/" target="_blank">the importance of a lawyer-reviewed contract</a> that clearly defines the work to be produced, the date by which it will be completed and the cost of that work.</p>
<p>So I was very pleased to come across a <a href="http://www.creativemornings.com/" target="_blank">Creative Mornings</a> talk, given by Mike Monteiro of <a href="http://www.muledesign.com/" target="_blank">Mule Design</a> and his attorney, <a href="http://www.sfcounsel.com/attorneys/levine.php" target="_blank">Gabriel Levine</a>, which reinforces and expands upon those basic ideas.</p>
<p>    <iframe src="http://player.vimeo.com/video/22053820" width="728" height="410" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p><em>(via zeldman.com and Google Reader Play)</em></p>
<p>This is a long video (40 minutes) but worth every moment. But for the <a href="http://knowyourmeme.com/memes/tldr" target="_blank">tl;dw</a> crowd, here&#8217;s a synopsis of the salient points:</p>
<ol>
<li>Contracts protect both parties &#8211; you and your client.</li>
<li>Don&#8217;t start work without a contract.</li>
<li>Don&#8217;t blindly accept your client&#8217;s terms.</li>
<li>Anticipate negotiation but don&#8217;t back down on important stuff &#8211; payment, deadlines and your intellectual property rights in the work until final payment is received.</li>
<li>Lawyers talk to lawyers. If your client is talking to you in the presence of, or through, his lawyer, get yours or don&#8217;t talk.</li>
<li>Be specific and confident about money. Ask for the rate you deserve and don&#8217;t back down on terms.</li>
</ol>
<p><span id="more-3824"></span>&#8220;This is a business,&#8221; said Monteiro. <strong>&#8220;All clients start a business relationship with the best of intentions, but things go wrong.</strong> Things that you weren&#8217;t expecting: the market changes, or the person who hired you leaves, or someone has a bad mood day, but things change.&#8221;</p>
<p>In other words, it doesn&#8217;t matter how well you know someone, how minor the work you are doing is or how informal or nontraditional you or your client may be about running a business. Good contracts don&#8217;t hurt relationships: they protect them.</p>
<p>Otherwise, Monteiro noted, you&#8217;re left to making emotional appeals in order to get paid: &#8220;The minute you appeal to their emotions, you have given up any bit of leverage that you had in that relationship. You have shown them your belly. You have shown them that you don&#8217;t think you have a leg to stand on, other than playing upon guilt.&#8221;</p>
<p><strong>Contracts contain clear definitions of the work to be done and clear expectations for both parties.</strong> That helps you deal with problems, such as attempts to change the nature and scope of the project midstream; the client expressing displeasure or reservations about the work so far (i.e., buyer&#8217;s remorse); delays or confusion about payment amounts due; keeping the project on track and on schedule; and so forth.</p>
<p>&#8220;You want to make sure that everybody understands what they have agreed to,&#8221; says Levine.</p>
<p>What if the client says, &#8220;you can trust us?&#8221;</p>
<p>&#8220;This is the biggest red flag in client services,&#8221; said Monteiro. &#8220;If you ever hear this phrase, just walk away.&#8221;</p>
<p>He gives, as example, a client who didn&#8217;t want to codify payment terms, on a project that was to being in two days. He decided to walk away.</p>
<p>&#8220;If you agree to things like this at the very beginning, you are going to have to agree to things during the project that are as onerous,&#8221; said Monteiro. &#8220;Let this be a sign of what&#8217;s to come and walk away from it.&#8221;</p>
<p>He also addressed the <strong>two common complaints </strong>most people have about hiring a lawyer, accountant or other trusted advisor: &#8220;It&#8217;s expensive&#8221; and &#8220;Do I really need one?&#8221;</p>
<p>&#8220;What I pay (Levine) is a pittance of the money I would have lost had I not had him taking care of this stuff,&#8221; said Monteiro, &#8220;and you&#8217;re at the point where you need a lawyer when you decide to stop being a design amateur and start being a design professional.&#8221;</p>
<p>It&#8217;s really easy, when you&#8217;re just starting out in business, to feel as though you should be happy to have the work and shouldn&#8217;t be demanding about terms, conditions or payment. Believe me, I felt that way when I went out on my own. And as a result, every mistake and problem was magnified, because I was performing without a safety net: A clear, firm and comprehensive contract.</p>
<p>Now, even if I am just doing a quick job for a routine customer, I make sure I have at least an email stating what is to be done, when it will be delivered and the rate I am to be paid, so there are few surprises and little misunderstood.</p>
<p>And believe it or not, when you do run into problems &#8212; and all human endeavors have problems &#8212; a contract helps you fix problems without having to go to the extremes of court. Contracts keep people honest and motivate them to solve their problems within the context of the agreement. Or, as Monteiro said, most client issues can be fixed via a quick cup of coffee or a short chat when you have a good contract with him.</p>
<p>All links in this post on delicious: <a href="http://www.delicious.com/dougvdotcom/good-contracts-make-good-business-or-fck-you-pay-me" target="_blank">http://www.delicious.com/dougvdotcom/good-contracts-make-good-business-or-fck-you-pay-me</a></p>
<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2010/03/30/three-web-sites-that-make-my-online-life-a-lot-easier/" rel="bookmark">Three Web Sites That Make My Online Life A Lot Easier</a> (12.8)</li>
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	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.</p>
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		<title>The Danger Of API Development: Making Something Too Good</title>
		<link>https://www.dougv.com/2011/03/22/the-danger-of-api-development-making-something-too-good/</link>
		<comments>https://www.dougv.com/2011/03/22/the-danger-of-api-development-making-something-too-good/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 10:07:27 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[API]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Customer Relations]]></category>
		<category><![CDATA[Programming]]></category>
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		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Amazon]]></category>
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		<guid isPermaLink="false">http://www.dougv.com/?p=3778</guid>
		<description><![CDATA[Most API terms can cut your access off for no reason, and effectively give the rights to your work to the API provider. That killed Lendle.<div class="yarpp">
	<h5>Related Posts</h5>
		<ol>
				<li><a href="https://www.dougv.com/2008/10/02/recommended-steps-in-a-web-development-career/" rel="bookmark">Recommended Steps In A Web Development Career</a> (13.5)</li>
				<li><a href="https://www.dougv.com/2011/03/18/hello-ive-a-question-about-your-post-using-ajax-to-update-a-non-map-div-via-google-maps-apis-gdownload-and-gmarker-onclick-event-your-example-is-for-the-v2-version-of-google-maps/" rel="bookmark">Hello, I&#8217;ve a question about your post &#8220;Using AJAX To Update A Non-Map DIV Via Google Maps API&#8217;s GDownload() And GMarker OnClick Event&#8221;. Your example is for the V2 version of google maps, so, is it possible to have exactly the same things for the v3 api?</a> (12.6)</li>
				<li><a href="https://www.dougv.com/2008/06/15/good-free-web-site-building-tools/" rel="bookmark">Good, Free Web Site Building Tools</a> (12.1)</li>
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	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.
	</div>
]]></description>
			<content:encoded><![CDATA[<p>On <a href="http://news.cnet.com/8301-1023_3-20045633-93.html" target="_blank">CNET</a>, via <a href="http://yro.slashdot.org/story/11/03/22/0231214/Amazon-Stymies-Lendle-E-book-Lending-Service?from=rss" target="_blank">slashdot</a>: <a href="http://lendle.me/" target="_blank">Lendle</a>, a Web site that had helped facilitate the loaning of ebooks among Kindle users, was effectively destroyed when Amazon shut down Lendle&#8217;s access to its <a href="https://kdk.amazon.com/gp/vendor/sign-in?ie=UTF8&amp;originatingURI=%2Fgp%2Fvendor%2Fmembers%2Fkindlepubs%2Fkdk%2Fhome" target="_blank">Kindle API</a>.</p>
<blockquote><p><a href="https://twitter.com/#!/lendleapp/status/49919939456409601" target="_blank">Lendle first reported the news via Twitter</a>: &#8220;Amazon has revoked Lendle&#8217;s API access. This is why the site is down. It&#8217;s sad and unfortunate that Amazon is shutting down lending sites&#8230;According to Amazon, Lendle does not &#8216;serve the principal purpose of driving sales of products and services on the Amazon site.&#8217;&#8221;</p></blockquote>
<p>According to Lendle co-founder Jeff Croft, &#8220;at least two other Kindle lending services&#8221; have been terminated from the API.</p>
<p>The problem with Lendle and its cousins is simple: It was too good at what it did.</p>
<p>Amazon does allow one-time loans of an ebook for up to 14 days, but they expect such trading to be among intimates. Lendle greatly expanded the ability for one person to trade with a complete stranger, and as a result posed a serious threat to potential Kindle edition sales.</p>
<p>After all, if I can&#8217;t find someone to lend me an ebook, I probably have to buy it. Put me in big enough a room of Kindle owners, however, and I&#8217;m likely to find what I am after for free.</p>
<p>I don&#8217;t care to get into copyright, the nature of modern publishing, or the like. I&#8217;m far more interested in pointing out the problem with using third-party APIs that this illustrates: <strong>If you make something too good, there&#8217;s usually nothing stopping the API service from cutting you off and stealing your work.</strong></p>
<p><span id="more-3778"></span>If you look at that pesky fine print in most API terms of service &#8212; and certainly, in the Kindle API terms &#8212; you&#8217;ll notice two things:</p>
<ol>
<li>You grant license to the API provider to use whatever software you create (or, at least, you surrender your intellectual property / patent rights in whatever use you come up with); and</li>
<li>They can cut you off at any time, for any reason, usually with no advance warning.</li>
</ol>
<p><img class="alignleft size-full wp-image-3779 noborder" title="Lendle logo" src="http://www.dougv.com/wp-content/uploads/2011/03/logo.png" alt="Lendle logo" width="256" height="317" />I don&#8217;t mean to suggest that Amazon is going to replicate what Lendle created. It&#8217;s pretty apparent Jeff Bezos <em>et al. </em>simply want to nip widespread ebook sharing in the bud.</p>
<p>The lesson is, be careful about being better than the thing providing the API access. I point now, specifically, to the new <a href="http://yfrog.com/" target="_blank">yfrog</a>, rolled out last weekend.</p>
<p>Before the redesign / repurposing, yfrog was a relatively reliable, and butt-ugly, image- and video-sharing service for <a href="http://www.twitter.com" target="_blank">Twitter</a>.</p>
<p>Now, it is a full-featured Twitter client; one that is arguably better than the original. Among its improvements to Twitter itself is threaded comments (as in, replies are shown beneath original messages) and inline thumbnail previews of images (at least, for pictures hosted on yfrog &amp; <a href="http://twitpic.com/" target="_blank">twitpic</a>).</p>
<p>It doesn&#8217;t have many of the more advanced features of Twitter.com &#8212; no searching, for example; no access to direct messages &#8212; but for &#8220;look at my timeline and react to it&#8221; purposes, I think yfrog is a significant improvement over Twitter itself.</p>
<p>Were it not for the nefarious unreliability of the <a href="http://dev.twitter.com/" target="_blank">Twitter API</a>, I&#8217;d seriously consider using the yfrog as my primary Twitter client.</p>
<p>Now, I don&#8217;t mean to suggest that Twitter is going to cut off API access to yfrog; it&#8217;s quite clear that Twitter&#8217;s interests are served by freely encouraging others to implement user interfaces for its data. What I do mean to suggest is that it would not surprise me if, sooner rather than later, Twitter.com started showing threaded comments and thumbnail previews of image attachments.</p>
<p>Can I guarantee that will happen? No. But it wouldn&#8217;t shock me if it does happen, and if a lot of people start using yfrog instead of Twitter, I&#8217;d be surprised if it didn&#8217;t happen. Especially if Twitter eventually turns to display advertising. (Again, that&#8217;s not something they&#8217;ve announced intentions of doing, but at some point, investor money dries up, and those who have invested want to see a return.)</p>
<p>So there is today&#8217;s real-world lesson: <strong>If you rely on someone else for data, he can pull the rug out from under you at any time.</strong> That doesn&#8217;t mean, &#8220;don&#8217;t use third-party APIs&#8221;; it does mean, &#8220;be prepared to pay if you make something too nice.&#8221;</p>
<p>All the links in this post on delicious: <a href="http://www.delicious.com/dougvdotcom/the-danger-of-api-development-making-something-too-good" target="_blank">http://www.delicious.com/dougvdotcom/the-danger-of-api-development-making-something-too-good</a></p>
<div class="yarpp">
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				<li><a href="https://www.dougv.com/2011/03/18/hello-ive-a-question-about-your-post-using-ajax-to-update-a-non-map-div-via-google-maps-apis-gdownload-and-gmarker-onclick-event-your-example-is-for-the-v2-version-of-google-maps/" rel="bookmark">Hello, I&#8217;ve a question about your post &#8220;Using AJAX To Update A Non-Map DIV Via Google Maps API&#8217;s GDownload() And GMarker OnClick Event&#8221;. Your example is for the V2 version of google maps, so, is it possible to have exactly the same things for the v3 api?</a> (12.6)</li>
				<li><a href="https://www.dougv.com/2008/06/15/good-free-web-site-building-tools/" rel="bookmark">Good, Free Web Site Building Tools</a> (12.1)</li>
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	<p class="note">The numbers inside parentheses are relevance scores. Scoring is based, in order of priority, on title, category, content and tags. The higher the score, the more likely that post relates to this post.</p>
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		<title>A Completely Awesome 2600 Cover</title>
		<link>https://www.dougv.com/2010/07/20/a-completely-awesome-2600-cover/</link>
		<comments>https://www.dougv.com/2010/07/20/a-completely-awesome-2600-cover/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 04:27:05 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[Best Practices]]></category>
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		<guid isPermaLink="false">http://www.dougv.com/blog/?p=3274</guid>
		<description><![CDATA[Check out the cover on the Summer 2010 edition of 2600, The Hacker Quarterly: I saw it at my local Barnes &#38; Noble bookstore and had to buy it for its complete awesomeness. The one thing 2600 has, every issue, is cool cover art. I don&#8217;t know the exact system to which these tape cartridges [...]<div class="yarpp">
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]]></description>
			<content:encoded><![CDATA[<p>Check out the cover on the Summer 2010 edition of <a href="http://www.2600.com/" target="_blank">2600</a>, The Hacker Quarterly:</p>
<div class="wp-caption alignnone" style="width: 354px"><a href="http://www.2600.com/"><img title="Cover, Summer 2010 issue, 2600 magazine" src="http://www.2600.com/covers/su101.gif" alt="Cover, Summer 2010 issue, 2600 magazine" width="344" height="537" /></a><p class="wp-caption-text">Cover, Summer 2010 issue, 2600 magazine</p></div>
<p>I saw it at my local <a href="http://www.barnesandnoble.com/" target="_blank">Barnes &amp; Noble</a> bookstore and had to buy it for its complete awesomeness. The one thing 2600 has, every issue, is cool cover art.</p>
<p>I don&#8217;t know the exact system to which these tape cartridges belong, but I remember seeing very similar ones back in the late 1980s at the <a href="http://www.umaine.edu/it/" target="_blank">University of Maine&#8217;s computer lab</a>.</p>
<p>The labels are what make this cover so great:</p>
<ul>
<li>The coordinates on the top cartridge&#8217;s white label mark the epicenter of the Jan. 12, 2010 earthquake in Haiti. The &#8220;KH-5&#8243; label on the side refers, I assume, to a series of early 1960s mapping / spy satellites. There may be a more significant connection between the two labels that I don&#8217;t get.</li>
<li>I like the implicit message in the third tape&#8217;s label, that the <a href="http://www.loc.gov" target="_blank">Library of Congress</a> is retaining tweets.</li>
<li>I love the fifth tape&#8217;s label: If only such a tape existed, it would eliminate <a href="http://en.wikipedia.org/wiki/Barack_Obama_citizenship_conspiracy_theories#Claims_that_Obama_was_not_born_in_Hawaii" target="_blank">quite a bit of annoying political sideshow</a>. Then again, no; it probably wouldn&#8217;t.</li>
<li>The tapes from the seventh down are also quite amusing.</li>
</ul>
<p>And taken in context with the &#8220;DESTROY&#8221; label on the box in the background, and the placement of the entire stack atop tabloid personals ads, really adds to the entire presentation.</p>
<p><span id="more-3274"></span>I also like a recurring feature 2600 has of showing pictures and short descriptions of foreign payphones. While payphones &#8212; and, by implication, <a href="http://en.wikipedia.org/wiki/Phreaking" target="_blank">phreaking</a> &#8212; are endangered tech, even in developing countries, phones play an important role in hacking&#8217;s history, culture and community. Besides, it&#8217;s interesting to see the technology of other places.</p>
<div id="attachment_3275" class="wp-caption aligncenter" style="width: 660px"><a href="http://www.dougv.com/wp-content/uploads/2010/07/payphones_summer_2010_2600.jpg"><img class="size-full wp-image-3275" title="Payphone images, Summer 2010 issue, 2600 magazine" src="http://www.dougv.com/wp-content/uploads/2010/07/payphones_summer_2010_2600.jpg" alt="Payphone images, Summer 2010 issue, 2600 magazine" width="650" height="507" /></a><p class="wp-caption-text">A pair of payphone images from the Summer 2010 issue of 2600 magazine.</p></div>
<h3>Editorial Hubris</h3>
<p>I have mixed feelings about 2600 in general.</p>
<p>The editorials can be juvenile and sophomoric.</p>
<p>For example, I remember a long-winded diatribe, some years ago, about a new loss-control policy that Barnes &amp; Noble had imposed. Basically, the policy was, if copies were stolen or lost, that was too bad for 2600; B&amp;N would only pay for those issues their computers said were sold.</p>
<p>Extensive column inches were expended lamenting that policy as patently unfair to 2600. Which it was. But, 2600 wrote, they had little choice but to comply, as they needed the newsstand sales.</p>
<p>Apparently, the hubris involved in that editorial hasn&#8217;t affected 2600&#8242;s relationship with B&amp;N. But one has to wonder why 2600 would take that risk.</p>
<p>Then again, the Summer 2010 editorial is a reasonable, intelligent consideration of how hacking, and the subsequent political causes it has spawned, have influenced debate and reconsideration of copyright and similar issues in the digital age.</p>
<p>It overreaches at points, as editorials are wont to do. For example, it cites as cause for celebration Sweden&#8217;s Pirate Party gaining &#8220;over seven percent in recent (European Union) parliamentary elections.&#8221; That translates to two of Sweden&#8217;s 18 EU Parliament seats; the <a href="http://www.europarl.europa.eu/parliament/public/staticDisplay.do?id=146&amp;language=en" target="_blank">EU Parliament</a> has 736 members, so those two seats represent 0.27 percent of that body.</p>
<p>But overall, it makes its point responsibly and convincingly.</p>
<p>I disagree with 2600&#8242;s practice of replying to letters. If 2600&#8242;s editors don&#8217;t consider a letter cogent, fair or correct, they shouldn&#8217;t print it. But it is abusing a bully pulpit to reply to letters, especially in a quarterly publication.</p>
<p>It&#8217;s also largely unnecessary, as most of the letters survive on their own merit nicely, and as a rule are some of the most interesting and entertaining content.</p>
<h3>Cool Story, Bro</h3>
<p>The articles tend to be pedestrian; anyone with a basic understanding of computers or networking should either know about the subjects covered, or at least be able to figure out the hacks based on a single-sentence presentation. For example, in the Summer 2010 issue, the following hacks were exposed:</p>
<ul>
<li>Google Analytics can be exploited by adding the tracking code for a domain to a completely unrelated domain&#8217;s page. Additionally, one can turn off JavaScript to disable Analytics tracking. The former point is by design, generally known to the Web development community and <a href="http://code.google.com/apis/analytics/docs/tracking/gaTrackingSite.html" target="_blank">described in the Analytics documentation</a>. The latter point is common sense.</li>
<li>One can create a sock puppet Facebook account, use a Web-based campus directory to stock up on friends, then troll. Thanks for the tip.</li>
<li>You can set up a WiFi router as an open network, then route all requests to a scary Web page telling people they shouldn&#8217;t use open networks. Again, thanks for the tip.</li>
<li>You can print fake bar codes onto stickers, put those stickers onto products, then use a store&#8217;s self-checkout to steal. I&#8217;m sure the author would be willing to write your legal briefs for you when you&#8217;re sharing a jail cell.</li>
</ul>
<p>And so on.</p>
<h3>Epic Win</h3>
<p>Then again, there are a few articles that are interesting:</p>
<ul>
<li>One author tells the story about having a microphone implanted into his throat and Bluetooth-enabled speakers placed in his ears. <em>That</em> was interesting.</li>
<li>Another article explained that T-Mobile G3 service is wide-open for HTTPS connections, enabling prepaid / non-data-plan subscribers to have Web access for free (provided the sites they visit support SSL, of course). Because this is a quarterly, that hole has probably been closed, but I am sure it was fun while it lasted.</li>
<li>There&#8217;s a useful overview on setting up what the author calls a &#8220;darknet,&#8221; or as a less-1337 user would call it, a multi-service proxy server. It doesn&#8217;t get into details, but it does visit the realm of possibilities and point those who might be interested in the right direction.</li>
</ul>
<p>That&#8217;s 2600 for you, and I think it&#8217;s more than fitting as an allegory for digital &#8212; heck, for what that&#8217;s worth, real &#8212; life. Some of it is crap. Some of it is great. Mostly, it&#8217;s just there.</p>
<p>For those reasons, 2600 is like cotton candy to me: Largely fluff; barely nutritious; but fun to enjoy once or twice a year, when the mood is right.</p>
<p>All links in this post on delicious: <a href="http://delicious.com/dougvdotcom/a-completely-awesome-2600-cover" target="_blank">http://delicious.com/dougvdotcom/a-completely-awesome-2600-cover</a></p>
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		<title>My Glee-ful Piracy And The New Media Mistakes Of The Old Media</title>
		<link>https://www.dougv.com/2010/05/26/my-glee-ful-piracy-and-the-new-media-mistakes-of-the-old-media/</link>
		<comments>https://www.dougv.com/2010/05/26/my-glee-ful-piracy-and-the-new-media-mistakes-of-the-old-media/#comments</comments>
		<pubDate>Thu, 27 May 2010 01:34:18 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
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		<description><![CDATA[I&#8217;m a late-blooming gleek. But I&#8217;ve caught &#8220;Glee&#8221; fever something awful &#8212; thanks, in little to no part, to the Fox network. For those not initiated, &#8220;Glee&#8221; is a musical comedy series that, in the words of the New York Daily News, &#8220;dresses like &#8216;High School Musical&#8217; and has the heart of &#8216;Porky&#8217;s.&#8217;&#8221; I&#8217;d add [...]<div class="yarpp">
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			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-3164" title="Glee" src="http://www.dougv.com/wp-content/uploads/2010/05/Glee.png" alt="Glee" width="300" height="368" />I&#8217;m a late-blooming gleek. But I&#8217;ve caught &#8220;<a href="http://www.fox.com/glee/" target="_blank">Glee</a>&#8221; fever something awful &#8212; thanks, in little to no part, to the Fox network.</p>
<p>For those not initiated, &#8220;Glee&#8221; is a musical comedy series that, in <a href="http://www.nydailynews.com/entertainment/tv/2009/09/09/2009-09-09_on_glee_sex_is_the_keynote_at_musical_high_school_in_ohio.html" target="_blank">the words of the New York Daily News</a>, &#8220;dresses like &#8216;High School Musical&#8217; and has the heart of &#8216;Porky&#8217;s.&#8217;&#8221; I&#8217;d add that in addition to being &#8220;<a href="http://www.miamiherald.com/2009/09/09/1218299/review-glee-is-high-school-inside.html" target="_blank">cynical, sweet and inestimably funny</a>,&#8221; &#8220;Glee&#8221; may be the most perfectly cast television show ever, and about as well-written, directed, produced and inspired as is possible for broadcast television.</p>
<p>It&#8217;s not perfect, but of 20 episodes aired so far, I&#8217;d call one or two &#8220;OK,&#8221; one or two &#8220;pretty good,&#8221; one or two &#8220;masterpieces&#8221; and the rest &#8220;outstanding.&#8221;</p>
<p>I came to &#8220;Glee&#8221; late thanks in large part to the fact it ran opposite &#8220;<a href="http://www.pbs.org/wgbh/nova/" target="_blank">NOVA</a>&#8221; on PBS. That&#8217;s why I missed the pilot and second episode, anyway; I have a Series 1 Tivo and one TV, so I can only watch one thing at once, which is fine since I don&#8217;t watch much TV;.</p>
<p>I caught part of Episode 3, &#8220;Acafellas,&#8221; about a third of the way through its original broadcast and wasn&#8217;t particularly impressed (it&#8217;s one of the &#8220;OK&#8221; episodes). So I simply ignored &#8220;Glee&#8221; after that.</p>
<p>It&#8217;s how I came to appreciate the series, in the middle of Season 1.5, that spurs me to post: I had to come to it accidentally, thanks to Fox&#8217;s half-witted online strategy, and struggle against Fox mightily in order to become an addict.</p>
<h3>The Happy Accident</h3>
<p>Among my eclectic YouTube tastes are marching bands. I love them; they play into my prejudices so nicely. I like systems and orderly flow. I like precision. I like music, especially that performed on analog instruments. I like creativity. I like passion and performance. A marching band brings all those things together in one place.</p>
<p>Take, as example, one of my favorite marching band performances, from Nishihara High School in Japan:</p>
<p><span style="text-align:center; display: block;"><a href="https://www.dougv.com/2010/05/26/my-glee-ful-piracy-and-the-new-media-mistakes-of-the-old-media/"><img src="http://img.youtube.com/vi/wcyusfO0DgE/2.jpg" alt="" /></a></span></p>
<p>Simply amazing.</p>
<p><span id="more-3162"></span></p>
<p>Anyway, during one of my marching-band-viewing stints on YouTube, I ran across a video of the <a href="http://www.youtube.com/watch?v=-Ir2AgM3B_Q" target="_blank">USC Marching Band and Radiohead</a> performing &#8220;15 Step&#8221; on the 2009 Grammy awards. I also like <a href="http://www.radiohead.com/deadairspace/" target="_blank">Radiohead</a>, and &#8220;<a href="http://www.ilike.com/artist/Radiohead/track/15+Step?src=onebox" target="_blank">15 Step</a>&#8221; is one of their best songs.</p>
<p>Thanks, I am sure, to CBS looking upon YouTube as a thief and yanking any actual video of the performance, what I found was the original performance audio dubbed over some stills. Since marching band is a visual thing, stills weren&#8217;t gonna cut it. I wanted to see the actual performance.</p>
<p>The &#8220;related videos&#8221; section for the &#8220;15 Step&#8221; video included <a href="http://www.youtube.com/watch?v=8GZAKlU8VXU&amp;feature=related" target="_blank">a &#8220;behind-the-scenes&#8221; video of that performance</a>, made by the USC Marching Band itself; which, in turn, led me to <a href="http://www.youtube.com/user/USCTMB" target="_blank">the USCMB channel</a>, which included a <a href="http://www.youtube.com/watch?v=C3dpYpTyYxs" target="_blank">video of the band rehearsing &#8220;4 Minutes,&#8221;</a> one of those rare pop songs that doesn&#8217;t completely suck, for a recent &#8220;Glee&#8221; episode.</p>
<p>Now, this was something I had to see, because as awful as the sound on that video was, it was obvious that performance completely kicked ass.</p>
<p>So I searched YouTube for it, with no luck. Then I decided to check the &#8220;Glee&#8221; Web site and see if it was on there. And it was on <a href="http://www.fox.com/fod/play.php?sh=glee" target="_blank">Fox On Demand</a>: Season 1, Episode 15, &#8220;The Power Of Madonna.&#8221; (Which, I might add, as of this writing, has been removed.)</p>
<p>I clicked the timeline of that episode&#8217;s video a few times and found the performance, which was as awesome as I thought it would be. And then I caught the completely brilliant Sue Sylvester line, after it: &#8220;Future <a href="http://en.wikipedia.org/wiki/Paul_Lynde#Hollywood_Squares" target="_blank">center square</a> Kurt Hummel there and his brassy <a href="http://en.wikipedia.org/wiki/Fag_hag" target="_blank">hag</a> Mercedes just tore that Madonna song a new one.&#8221;</p>
<p>Which was all it took for me to decide to rewind to the start and see the whole thing. Which was all it took for me to decide to watch the other four episodes available on Fox On Demand. Which was all it took for me to decide I had to see every episode.</p>
<p>And that&#8217;s where the trouble began.</p>
<h3>Bittorrent To The Rescue</h3>
<p>Fox On Demand only shows the last five full episodes of &#8220;Glee.&#8221; Thus, if I wanted to see the other 14 episodes (at the time), I had four options:</p>
<ol>
<li>Purchase <a href="http://www.amazon.com/gp/product/B002AMVEF6?ie=UTF8&amp;tag=dhvrm-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B002AMVEF6" target="_blank">the DVDs of Season 1</a>, which contains the first 13 episodes of the show, and live without Episode 14 ($22.99);</li>
<li>Purchase the <a href="http://www.amazon.com/gp/product/B003O205RY?ie=UTF8&amp;tag=dhvrm-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003O205RY" target="_blank">Amazon On Demand video</a> of each of the 14 previous episodes, at $1.99 each ($27.86);</li>
<li>Find them streaming on the Web, at YouTube, Hulu or some site (free);</li>
<li>Steal them from bittorrent or a file-sharing service (free).</li>
</ol>
<p>I exercised my options in that exact order.</p>
<p><strong>Purchase the DVDs: Not now.</strong> I went to Amazon to see <a href="http://www.amazon.com/Glee-Season-One-Road-Sectionals/product-reviews/B002AMVEF6/ref=dp_top_cm_cr_acr_txt?ie=UTF8&amp;showViewpoints=1" target="_blank">reviews of the DVDs</a> and noticed that the top two helpful reviews were both one-stars. Both noted a complete love of the show, but that Fox was effectively screwing over DVDs purchasers.</p>
<p>In short, rather than launching into Season 2, Fox decided to extend Season 1 by nine episodes. This puts the boots to those who purchased the only DVD copies of the show now legally available to the public. As the Amazon reviews note, Fox is effectively double-dipping for the same episodes with its planned &#8220;full&#8221; Season 1 release, even if they actually provide their promised discount to those who bought this DVD release.</p>
<p>Why in the world would I join in that mess? I am definitely going to buy Season 1 in its entirety on DVD &#8212; but I&#8217;m not going to be bent over to pay for it twice, like these unfortunate souls.</p>
<p><strong>Purchase the Amazon On Demand videos: No, thanks. </strong>I did notice that <a href="http://www.amazon.com/gp/product/B003O205RY?ie=UTF8&amp;redirect=true&amp;ref_=dv_sparkle_name" target="_blank">Amazon offers Video On Demand of these shows</a>. However, <a href="http://www.amazon.com/review/R13KFHAM2CK0S5/ref=cm_cr_rdp_perm" target="_blank">I had a significantly negative experience</a> with downloaded content from Amazon&#8217;s MP3 Store and swore an oath I&#8217;d never fall for that again, given <a href="http://www.amazon.com/gp/help/customer/display.html?ie=UTF8&amp;nodeId=200026970" target="_blank">their zero-refunds policy</a> on digital content.</p>
<p>Even absent that promise, I&#8217;m not going to pay $1.99 per episode to have the show locked onto my computer or my old Tivo &#8212; not when I have a perfectly good DVD player, and not when I&#8217;m going to have a much easier time watching a DVD on my PC than I am converting this digital download to a DVD.</p>
<p>(Personal copies are fair use. I don&#8217;t care one whit what the <a href="http://www.mpaa.org/contentprotection/copyright-info" target="_blank">MPAA</a> or <a href="http://www.riaa.com/physicalpiracy.php" target="_blank">RIAA</a> think about that. I bought my copy, I have the right to protect my investment and back that copy up. Period.)</p>
<p>It makes far more sense to purchase the DVDs and have the show on an  external, durable medium, which if I was to do it via downloaded shows wouldn&#8217;t be anywhere near as valuable as a studio-made DVD, and would probably cost more. So, &#8220;Hell, no&#8221; to Amazon On Demand.</p>
<p><strong>Find shows on the Web: No such luck.</strong> As I previously noted, Fox pulls its shows other than the last five episodes from Fox On Demand, and appears to do the same thing on <a href="http://www.hulu.com/glee" target="_blank">Hulu</a>. They also seem to have devoted sufficient resources to having previous episodes pulled from other video sites, YouTube among them.</p>
<p><strong>Stealing them: Jackpot!</strong> Thankfully, the entire season of &#8220;Glee&#8221; can be found on bittorrent. So that&#8217;s where I got episodes 1-14: Off bittorrent. It took about two minutes to find the torrents and two hours to download all 14 episodes I had not seen, thanks to the fact that there are at least 1,000 other bittorrent users who have them. These were off-air rips of the shows, clearly recorded on a DVR of some sort and then pushed out into AVI files; about 5 GB worth of video.</p>
<p>So, in a marathon over three days, I have seen all 20 episodes of &#8220;Glee.&#8221; And I am completely in love with the show.</p>
<h3>Why Did Fox Make This So Hard?</h3>
<p>What mystifies me is the thinking behind Fox&#8217;s decisions. What purpose, exactly, do they think their strategy is promoting?</p>
<p>More specifically, let me review the options they could have taken:</p>
<p><strong>Leave everything on Fox On Demand:</strong> I would have happily watched every episode on Fox On Demand, and watched whatever commercials they wanted to show me. It would have saved me significant effort and I would still be convinced I need to get the DVDs of this series.</p>
<p>There&#8217;s no marginal cost in keeping the episodes online; bandwidth and storage are dirt-cheap, especially on the scale of a broadcast network&#8217;s online video offerings. Again, we&#8217;re talking about 5 GB of video; probably less, since FLV is more efficient than AVI. You can serve that up on <a href="http://www.dreamhost.com/hosting.html" target="_blank">a $9 per month Web hosting plan</a>.</p>
<p>It was nothing to find off-air rips of Glee on bittorrent. I suppose they could class-action sue me for participating in the theft, but why waste money on that? Why not keep the shows on Fox servers, and show me commercials? Wouldn&#8217;t that make money? Doesn&#8217;t running down people who just want to see some shows they missed ruin goodwill?</p>
<p>I mean, Fox can&#8217;t be completely ignorant of the fact that anything one puts on the Web or over the airwaves can be saved and redistributed, right? Especially the Flash videos they use to power Fox On Demand, or local broadcasts. Seriously, why make people steal what you are giving away for free, and lose the potential advertising revenue you could have captured had you kept those videos online?</p>
<p><strong>Hold off on releasing the Season 1 DVDs until Season 1 is over:</strong> Or, at least, calling Season 1.5 what it really is, Season 2.</p>
<p>Probably, Fox believes keeping the videos online reduces the  likelihood  of people purchasing their DVDs. But that&#8217;s complete  nonsense. FLV and AVI are lossy technologies. If I compress &#8212; yes, <em>compress</em> &#8212; videos to broadcast quality into those containers, I&#8217;m going to be  unable to push them back up to DVD quality, nonetheless Blu-Ray quality.</p>
<p>The episodes I got off bittorrent are 624&#215;352. A DVD is going to  be at least 704&#215;480, so what I have is about 75% as good as a DVD. As  in, it&#8217;s noticeably not as good. There&#8217;s absolutely no way I can convert  what I have into a better resolution; it&#8217;s going to look awful if I  try.</p>
<p>Which means, if I want DVD-quality video, I have to get the  DVDs. Which, again, I am going to do. But I&#8217;m not going to do that  until Fox actually comes out with a full Season 1 box set and sets a  price for it. Again, I&#8217;m not going to pay twice for the same thing.</p>
<p>If anything, Fox shot themselves in the foot by trying to milk a mid-season show out of &#8220;Glee.&#8221;</p>
<p>Hey, I know it&#8217;s hard to find shows that work; <a href="http://www.americanidol.com/" target="_blank">a lot of crap does well</a>,<a href="http://www.amazon.com/gp/product/B0000AQS0F?ie=UTF8&amp;tag=dhvrm-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B0000AQS0F" target="_blank"> a lot of great TV never catches on</a>. If you find something that works, you wanna bang it like a tin pot. I&#8217;m completely OK with that.</p>
<p>But you can&#8217;t put a royal screwing to people when they buy your value-added, high-profit products &#8212; such as season box set DVDs &#8212; by changing the terms after they buy. That&#8217;s only going to create resentment, encourage people like me to stay out until the smoke clears, and otherwise create bottom feeding.</p>
<p>Had Fox called the current 9-episode run of &#8220;Glee&#8221; &#8220;Season 2,&#8221; I would have bought Season 1 and waited for this next set to come out on DVD, as well. As it is now, I&#8217;m planning to ask for whatever comes out as a Christmas present.</p>
<h3>The Bankruptcy Of The Gatekeeper</h3>
<p>Fox, and every other large traditional media company, is stuck on a model where the mere fact of owning a copyright should be enough. But it&#8217;s not.</p>
<p>Now, I am not one of those &#8220;the Web should be free, down with copyright&#8221; types. I believe in copyright and intellectual property. I should be able to distribute what I create under my terms.</p>
<p>But if I decide to be a jackass and work against market forces, I should expect my copyrights to be violated. I definitely shouldn&#8217;t be surprised that if there is demand for my product, and I refuse to provide it in a way that meets that demand, that a black market will crop up.</p>
<p>If anything, what I should do is directly work with those interested in what I am creating, and give them an ownership stake in what I am doing. Perhaps not an actual fiduciary stake, but at least an emotional stake, if not a practical stake.</p>
<p>It&#8217;s that kind of approach that brought &#8220;<a href="http://en.wikipedia.org/wiki/Family_Guy#Cancellation_and_renewal" target="_blank">Family Guy</a>&#8221; back from the dead twice; that keeps <a href="http://whedonesque.com/" target="_blank">Joss Whedon</a> in work; that made &#8220;<a href="http://www.syfy.com/battlestar/" target="_blank">Battlestar Galactica</a>&#8221; such as success.</p>
<p>If Fox can be so intimate with the right way to market television in the Internet age &#8212; &#8220;Family Guy,&#8221; &#8220;<a href="http://www.amazon.com/gp/product/B0000AQS0F?ie=UTF8&amp;tag=dhvrm-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B0000AQS0F" target="_blank">Firefly</a>&#8221; and &#8220;<a href="http://www.fox.com/dollhouse/" target="_blank">Dollhouse</a>&#8221; are all Fox shows &#8212; then why is it screwing up so badly with &#8220;Glee,&#8221; which has a cult following to rival any of the previously mentioned shows?</p>
<p>All links in this post on delicious: <a href="http://delicious.com/dougvdotcom/my-glee-ful-piracy-and-the-new-media-mistakes-of-the-old-media" target="_blank">http://delicious.com/dougvdotcom/my-glee-ful-piracy-and-the-new-media-mistakes-of-the-old-media</a></p>
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		<title>More Bad Business: Dealing With Contractors And Copyright</title>
		<link>https://www.dougv.com/2008/11/24/more-bad-business-dealing-with-contractors-and-copyright/</link>
		<comments>https://www.dougv.com/2008/11/24/more-bad-business-dealing-with-contractors-and-copyright/#comments</comments>
		<pubDate>Mon, 24 Nov 2008 06:04:24 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[copyright]]></category>

		<guid isPermaLink="false">http://www.dougv.com/blog/?p=1287</guid>
		<description><![CDATA[Asked recently on Yahoo! Answers: To those of you who design websites, is this ethical? I think my web designer may own the rights to my website. She&#8217;s got her company name at the bottom of all my pages, and made a comment once about me being stuck with her. Is that ethical? Is that [...]<div class="yarpp">
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			<content:encoded><![CDATA[<p>Asked recently on Yahoo! Answers:</p>
<blockquote><p><a href="http://answers.yahoo.com/question/index?qid=20081123183110AAOH2f7"><strong>To those of you who design websites, is this ethical?</strong></a><br />
I think my web designer may own the rights to my website. She&#8217;s got her company name at the bottom of all my pages, and made a comment once about me being stuck with her. Is that ethical? Is that common? What kind of a practice is that to hold the copyright to a customers web site?</p></blockquote>
<p>Let&#8217;s deal with the legal question first: Absent an agreement that copyright will be transferred at the end of a job, a Web site&#8217;s developer owns a Web site developed under contract for someone else. <a href="http://fairuse.stanford.edu/Copyright_and_Fair_Use_Overview/chapter1/1-b.html#6">That&#8217;s the law</a>.</p>
<p>Which is, of course, why you always want to have written contracts that transfer ownership of others&#8217; work for hire to you. And you shouldn&#8217;t use legal documents you find on the Web, either; laws vary from state to state, and you don&#8217;t want your contracts voided because you were too lazy to have them vetted by an attorney.</p>
<p>You should hire a competent business attorney admitted to the bar for your state / jurisdiction and pay him to draft your agreements. Or you should expect to find yourself in a jam like the one this questioner faces.</p>
<p>The good news for this person is twofold, however: She can always go someplace else and start a new site. But better yet, she&#8217;s really in control of the situation, because she has the one thing this contractor doesn&#8217;t have: The ability to keep her mouth shut.</p>
<p>Last things first, shall we?</p>
<p><span id="more-1287"></span></p>
<h4>Turn The Tables On Her</h4>
<p>I&#8217;ve <a href="http://www.dougv.com/2008/11/12/the-wrong-way-of-looking-at-client-relationships-an-example-examined-and-discussed/">previously ranted against the &#8220;Customer As Hostage&#8221; view</a> a lot of bad businesspeople tend to hold. (And <a href="http://www.dougv.com/2008/11/12/the-wrong-way-of-looking-at-client-relationships-an-example-examined-and-discussed/#comment-1701">you&#8217;ve seen how they react</a> when you try to point out to them their approach is dumb).</p>
<p>The greatest power you have over such business people are your own strong business skills &#8212; namely, <a href="http://www.dougv.com/2007/05/26/the-three-keys-to-successful-self-employment-in-programming-and-consulting-introduction/">the same things that make you successful</a>: your social network, drive / attitude and skills. By speaking up about the bad business practices of others, you leverage tremendous power over them, especially if you are generally regarded as a good business person.</p>
<p>The fix to this questioner&#8217;s problem, therefore, is simple: Inform the Web contractor with the misguided sense of copyright, in writing, that you are going to use a different Web professional, and insist that the person turn over the domain name for the site to your control.</p>
<p>Then, pay someone else to make an entirely new site, and chalk the cost up as a reminder that good contracts make for good business relationships.</p>
<p>If the contractor balks, make it very clear &#8212; again, in writing &#8212; that you are going to hire someone else to make a new site, regardless; and if the domain name doesn&#8217;t get turned over to your control, you&#8217;ll be more than happy to make your disagreement with the contractor and her policies very public.</p>
<p>If she refuses to surrender your domain name, follow through with a vengeance. Go 100 percent public.</p>
<p>If you have a store, print up a one-page flyer explaining the facts of your dispute and put them on your front counter. Attach copies of your correspondence to them.</p>
<p>Take out newspaper ads explaining the situation and your dismay. Buy cable TV and radio ads.</p>
<p>Hand out your flyer at the local Chamber of Commerce, Kiwanis, Rotary and Lions club meetings. Wherever you see her trying to network or make sales, make sure you are there, too, handing out your flyer.</p>
<p>Create a Web site detailing the situation. Google her business name and leave comments wherever possible detailing your situation and how disappointed you are. Complain to the <a href="http://www.bbb.org">Better Business Bureau</a>, even if she isn&#8217;t a member.</p>
<p>The louder you can make your complaints, the more it hurts her business, provided your facts are true and you remain calm while criticizing her business. Don&#8217;t yell; don&#8217;t call her names; don&#8217;t attempt any sort of sabotage. Simply state loudly, and to anyone who will listen, the facts and how disappointed you are with her attitude. The more reasonable you are in your statements, the less reasonable she looks.</p>
<p>Believe me, it won&#8217;t take much of that until one of two things happen: She&#8217;ll sue, or she&#8217;ll give you what you want.</p>
<p>It isn&#8217;t libel to say you don&#8217;t like someone&#8217;s business practices. It isn&#8217;t libel to state facts. If you state the facts and offer that you think the contractor is a bad businessperson who swindled you, that&#8217;s not actionable.</p>
<p>Throughout the process, only communicate with the contractor in writing and make it known that if she surrenders your domain name, you will cease your activities.</p>
<p>Trust me, unless the contractor is the most vindictive and short-sighted person on Earth, it won&#8217;t go far; she will figure out that you are far more willing to do far more damage to her business than any value she would ever get out of you against your will.</p>
<h4>Copyright Works Two Ways</h4>
<p>Even if your contractor maintains copyright, that doesn&#8217;t give her right to operate a Web site for you, or your business, against your wishes. You can command her to shut down the site immediately and she must comply.</p>
<p>The same copyright that prevents you from taking the Web site she made prevents her from using your business name, likeness, etc. against your will. She may own the pages, but you own the business, and <a href="http://fairuse.stanford.edu/Copyright_and_Fair_Use_Overview/chapter12/12-b.html#2">she has no right to appropriate your business name for any purpose</a> if she hasn&#8217;t been granted that right.</p>
<p>In other words, her work may well be hers, but the site represents your business, and absent a contract to the contrary, she has no right to use your business in her Web site.</p>
<p>An obvious fix, therefore, is to order her to take the site down immediately and to refuse to pay her any more money. If you are under contract to pay her money, pay the money through the end of the contract and order her to remove the site.</p>
<h4>Copyright Isn&#8217;t A Patent</h4>
<p>Notice, in the above, I am only advocating for being a pain in the contractor&#8217;s ass if the contractor has control of the domain name for your business and does not want to reliquish it.</p>
<p>And the only reason I advocate being a pain in the ass in that circumstance is that experience has shown me, if you are not the registrant for a domain name, but have legal right to the domain as a trademark, trade name or the like, it is a very arduous and long process to wrest control via official channels; it&#8217;s far easier and quicker to badger someone who knows they are going to lose into complying with your wishes. (Witness all the ambulance chasers that advertise during daytime TV; it&#8217;s the same idea.)</p>
<p>If you own the domain name, or have control over it already, the fix is simple: Since you have no copyright over your current Web site, it&#8217;s time to make a new one.</p>
<p>The balancing act here comes in what would consitute a &#8220;new&#8221; site. To be safe, I would start from scratch: A completely different design using entirely new colors; an all-new logo.</p>
<p>Other than elemental facts &#8212; the name of the business, its address and phone number, hours of operation and the like &#8212; I would create all-new copy. I would take or purchase all-new images.</p>
<p>I would give serious consideration to completely changing the number of pages in the site and ensuring it does not have a similar page flow as the previous site. The object would be to create an all-new site that shares few to no similarities to the old site, so that copyright claims from the first contractor could be quashed.</p>
<p>And, of course, I would have a written contract, vetted by my lawyer, ensuring the work was mine upon its completion.</p>
<p>Then, I would conduct a more silent campaign against the other contractor; namely, tell anyone you know who is looking for a Web site to steer clear of her.</p>
<p>Trust me, operators such as this don&#8217;t last long. And when they go out of business, they have to find a job someplace else. The less people think of her, the more likely she winds up behind the counter at McDonald&#8217;s, where she probably belongs.</p>
<p>Your reasonable objections to her behavior do the general business community a service. Be fair, be accurate, be honest, but be firm and constant.</p>
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		<title>I&#039;m Adopting The GNU General Public License</title>
		<link>https://www.dougv.com/2008/09/08/im-adopting-the-gnu-general-public-license/</link>
		<comments>https://www.dougv.com/2008/09/08/im-adopting-the-gnu-general-public-license/#comments</comments>
		<pubDate>Tue, 09 Sep 2008 00:23:06 +0000</pubDate>
		<dc:creator>Doug Vanderweide</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Programming]]></category>
		<category><![CDATA[copyright]]></category>

		<guid isPermaLink="false">http://www.dougv.com/blog/?p=893</guid>
		<description><![CDATA[I&#8217;ve decided that it&#8217;s time to pay more attention to the open-source projects I have created and will create. I&#8217;m also considering joining some other software projects. As a result, I need to revisit my licensing. Previously, my software was licensed under the Creative Commons Attribution / Share-Alike 3.0 license. That license is really intended [...]<div class="yarpp">
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			<content:encoded><![CDATA[<p>I&#8217;ve decided that it&#8217;s time to pay more attention to the open-source projects I have created and will create. I&#8217;m also considering joining some other software projects.</p>
<p>As a result, I need to revisit my licensing.</p>
<p>Previously, my software was licensed under the <a href="http://creativecommons.org/licenses/by-sa/3.0/us/" target="_blank">Creative Commons Attribution / Share-Alike 3.0 license</a>. That license is really intended for authors, musicians and teachers, but I found its strong requirements for attribution and sharing of derivative works met my needs.</p>
<p>However, most open-source projects use a GNU license, most notably the <a href="http://www.gnu.org/licenses/gpl.html" target="_blank">GNU General Public License</a>. As such, I believe it&#8217;s best to change my software licensing over to the GNU GPL.</p>
<p>I do this reluctantly. I am an ardent supporter of open-source software. I believe it&#8217;s my duty to give back to the developer community. But I believe I am due credit as a work&#8217;s author, and that my right to ultimately retain the benefits of copyright should be clear.</p>
<p>The GNU GPL technically defends my authorship and allows me to retain ultimate copyright, but it does so in a far weaker way than the Creative Commons Attribution / Share-Alike license.</p>
<p>I am in the process of changing all posts to reflect my new licensing.</p>
<p>For additional information about my licensing terms, visit the <a href="http://www.dougv.com/copyright-attribution/">Copyright / Attribution page</a>.</p>
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